We’ve all heard the quote from Hemingway: “The first draft of anything is shit.”
What an empowering thing for any writer. How liberating to be reminded that when we sit down to write, our first draft is probably going to be awful, but that’s okay. It’s part of the process.
When I sat down a few weeks ago to write an assignment for a local newspaper, I was reminded of this quote. The blank document stared at me and every time I started to write a sentence, I deleted it or worse – stopped myself before I even put any words on the page. I was too focused on wanting it to sound good.
Finally, I said to myself (out loud) “Okay, this is going to be shitty, but I’m just going to do it.” It got a lot easier after that.
Once I gave myself permission to write badly, I was able to get out of my own way and just write. I simply had to remind myself that what I was writing didn’t have to be perfect. I had to tell myself that no one was going to see this draft but me, and that I just had to get the words down and I could figure out the order of them later.
Fortunately, writers have a lot to say about first drafts. Natalie Goldberg says, “If every time you sat down to write, you expected something great, writing would always be a great disappointment. Plus, that expectation would also keep you from writing.”
I can’t talk about first drafts without talking about Anne Lamott. She wrote a very helpful, very reassuring chapter on Shitty First Drafts in her book, Bird by Bird, my favorite book on writing which I wrote about here.
She reminds us that all writers write bad first drafts. She says, “All good writers write them. This is how they end up with good second drafts and terrific third drafts.” No one sits down to write and gets it right effortlessly on the first try. She says the only way she can get anything written at all is to write really, really shitty first drafts. I find the same is true for me, too.
Lamott insists that the first draft is where you let it all pour out onto the page, no matter how childish or silly or terrible it may seem. She says to just get it all down on paper because, “There may be something in the very last line of the very last paragraph on page six that you just love, that is so beautiful or wild that you now know what you’re supposed to be writing about, more or less, or in what direction you might go – but there was no way to get to this without first getting through the first five and a half pages.”
The key is to not let that terribly written first draft stop you from going back to it and writing a second, and a third.
For me, the first draft is for figuring out what the story is really about, what story I’m really trying to tell. It’s about getting the ideas down, discovering who our characters are, their motives, and their flaws. Who are they and what do they have to say? Anne Lamott says, “Writing a first draft is very much like watching a Polaroid develop. You can’t – and, in fact, you’re not supposed to – know exactly what the picture is going to look like until it has finished developing.”
I find that sometimes the story that comes out on paper is very different than the story I imagined I was sitting down to write. It’s easy to dream up an idea, to have a plot in mind, but it doesn’t always work out the way we imagine it would.
Jack Dann says, “For me, writing is exploration; and most of the time, I’m surprised where the journey.” So while first drafts can be a struggle, they can be surprising.
Check on my For Writers page to find other great books for writers and resources I have found helpful .